Eurovision Song Contest as a Cultural Phenomenon

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cultural pedagogy methods
EBU
EBU Eurovision
EBU Member
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ESC
ESC 2022
ESC Entry
ethnomusicology analysis
EU Eurovision
European Broadcasting Union Eurovision
European History Eurovision
European History Memory Eurovision
European identity politics
European Memory Eurovision
European Politics Eurovision
European Pop Culture
European Pop Culture Eurovision
European Television Eurovision
European Television History Eurovision
European Union Eurovision
European Values
Eurovision
Eurovision 2022
Eurovision Contest
Eurovision Cultural Studies
Eurovision Ethnomusicology
Eurovision European Culture
Eurovision European Identity
Eurovision European Values
Eurovision Network
Eurovision Song Contest
Eurovision Song Contest 2022
Fan Culture Eurovision
Fan Media ESC
Fan Media Eurovision
Human Rights
human rights in broadcasting
IBA
interdisciplinary Eurovision academic research
International Relations
Italian Popular Music
Jury Vote
Leftist Radical Party
LGBTQ Right
LGBTQ Visibility
Marina De
media studies research
Modern European History
Multidisciplinary Studies
Musical Person
Mythology
National Identity Eurovision
Non-State Actor Liability
participatory fan culture
Political Platform
Political Programs Eurovision
Politics Eurovision
Pop Folk Music
Professional Juries
Sertab Erener
Susan Sontag
Theatre Scenery
Turbo Folk
Violate
Walter Benjamin
West Germany
Winning Songs
Wolfgang Amadeus Mozart

Product details

  • ISBN 9781032037745
  • Weight: 1060g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Jul 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Drawing from the wealth of academic literature about the Eurovision Song Contest (ESC) written over the last two decades, this book consolidates and recognizes the ESC's relevance in academia by analysing its contribution to different fields of study.

The book brings together leading ESC scholars from across disciplines and from across the globe to reflect on the intersection between their academic fields of study and the ESC by answering the question: what has the ESC contributed to academia? The book also draws from fields rarely associated with the ESC, such as Law, Business and Research Methodologies, to demonstrate the contest's broad utility in research, pedagogy and in practice.

Given its interdisciplinary approach, this volume will be of interest to scholars and students working in cultural, media, and music studies, as well as those interested in the intersections between these areas and politics, law, education, pedagogy, and history.

Adam Dubin is a human rights scholar and Assistant Professor of Law at Universidad Pontificia Comillas in Madrid, Spain, as well as an Adjunct Professor of Politics at New York University, USA. He is also a Senior Research Associate at the University of Johannesburg and a Visiting Professor at Southwest University of Politics and Law in China. His research focuses on human rights in sub-Saharan Africa, as well as on the intersection between human rights and pop culture.

Dean Vuletic is a Historian of Contemporary Europe based in the Research Center on the History of Transformations at the University of Vienna, Austria. The author of Postwar Europe and the Eurovision Song Contest (2018), he is the world's leading academic expert on the history of the ESC and he has taught the world's first university course on this topic. He is an internationally prominent media commentator and public speaker on the ESC, and further information about his work can be found on his website www.deanvuletic.com.

Antonio Obregón was formerly Vice Rector of Academic Affairs and Dean of the Faculty of Law at Universidad Pontificia Comillas. He is a Full Professor of Criminal Law and International Relations. He holds an undergraduate degree in Law and Business Administration and a PhD in Criminal Law. He designed and taught the first seminar in a Spanish university on the ESC and is a frequent commentator on it in the Spanish media.