Everybody's America

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A01=David Witzling
African American Culture
African American Language
Author_David Witzling
Black Literary Tradition
Calls Attention
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Category=DSK
Cold War
Coleman's Music
Coleman’s Music
crew
ction
Dance Fl Oor
Double Consciousness
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Free Indirect Discourse
gravity's
Gravity's Rainbow
Gravity’s Rainbow
Herbert Stencil
historiographic
Historiographic Metafi Ction
Historiographic Metafiction
metafi
Postmodern Historiographic Metafiction
Pynchon's Work
Pynchon's Writing
pynchons
Pynchon’s Writing
rainbow
Secret Integration
sick
Sick Crew
Tyrone Slothrop
Von Trotha
Watts Essay
Watts Residents
White Double Consciousness
White Liberal Guilt
White Negro
work
writing

Product details

  • ISBN 9780415883887
  • Weight: 440g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Jul 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Everybody’s America reassesses Pynchon’s literary career in order to explain the central role played by the racialization of American culture in the postmodernist deconstruction of subjectivity and literary authority and in the crisis in white liberal culture. It charts the evolution of both these cultural transformations from Pynchon’s early short stories, composed in the late 1950s, through Gravity’s Rainbow, published in 1973. This book demonstrates that Pynchon deploys techniques associated with the decentering of the linguistic sign and the fragmentation of narrative in order to work through the anxieties of white male subjects in their encounter with racial otherness. It also charts Pynchon’s attention to non-white and non-Euro-American voices and cultural forms, which imply an awareness of and interest in processes of transculturation occurring both within U.S. borders and between the U.S. and the Third World. In these ways, his novels attempt to acknowledge the implicit racism in many elements of white American culture and to grapple with the psychological and sociopolitical effects of that racism on both white and black Americans. The argument of Everybody’s America, however, also considers the limits of Pynchon’s implicit commitment to hybridity as a social ideal, identifying attitudes expressed in his work that suggest a residual attraction to the mainstream liberalism of the fifties and early sixties. Pynchon’s fiction dramatizes the conflict between the discourses and values of such liberalism and those of an emergent multiculturalist ethos that names and valorizes social difference and hybridity. In identifying the competition between residual liberalism and an emergent multiculturalism, Everybody’s America makes its contribution to the broader understanding of postmodern culture.

David Witzling is anAssistant Professor at Manhattan College in Riverdale, NY

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