Evolution of Song and Dance in Hindi Cinema

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Amrit Manthan
Background Score
Bam Bam
Bollywood
Bollywood Cinema
Bollywood Dance
Bollywood Song
Bollywood studies
Bonus Item
Bunty Aur Babli
Category=ATF
Category=JB
Category=JBCT
choreomusicology
cinematic soundscapes
Contemporary Bollywood Film
cultural performance theory
dance in film
Dance Number
End Credits
End Credits Sequence
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film choreography
film music analysis
Film Song
Hindi cinema
Hindi Film
Hindi film song choreography research
Hindi Film Songs
Hrithik Roshan
Long Shots
music in film
Narrative Number
picturizations
Playback Singer
Popular Hindi Cinema
popular Hindi film
Rang De Basanti
Song Picturization
Song Scenes
Song Sequences
song-and-dance sequences
South Asian media
South Asian popular culture
Uday Shankar

Product details

  • ISBN 9780367785673
  • Weight: 226g
  • Dimensions: 174 x 246mm
  • Publication Date: 31 Mar 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Exploring the evolution of song and dance in the popular Hindi film, this book examines how these quintessential elements have been and continue to be theorized.

As song ‘picturizations’, as they are frequently called, have evolved, shifting from little more than impromptu moves around tree trunks to highly choreographed affairs featuring scores of professional dancers and exotic backgrounds, their theorization has also developed beyond the initial, peremptory dismissals of earlier critics. Featuring a landmark collection of essays from leading theorists, as well as newer contributions from up-and-coming scholars, this book develops new and exciting ways of thinking about song and dance in Hindi cinema and, in turn, explores how these elements work to (re)define popular Hindi cinema in the twenty-first century.

This collection will be of interest to students and scholars of Hindi cinema, musicals, and global popular cultures. It was originally published as a special issue of South Asian Popular Culture.

Ajay Gehlawat is the author of several studies of popular Hindi cinema, including Twenty-First Century Bollywood (Routledge, 2015). He is Professor of Interdisciplinary Studies, Theatre and Film at Sonoma State University, CA, USA.

Rajinder Dudrah has authored numerous studies of Indian cinema and is the editor of the South Asian Popular Culture journal. He is Professor of Cultural Studies and Creative Industries at Birmingham City University, UK.