Excavating Modernity

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Annalisa Federici
archaeological
archaeological imagination
Archaeological Metaphors
automatic-update
B01=Eleanor Dobson
B01=Gemma Banks
Beeny Cliff
Category1=Non-Fiction
Category=DSB
Category=HBAH
Category=HBTB
Category=NHAH
Category=NHTB
city
consciousness
COP=United Kingdom
Craig Wallace
Das Od
dead
Dead City
Delivery_Delivery within 10-20 working days
Die Mneme
duse
eleonora
Eleonora Duse
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Gemma Banks
George M. Johnson
Holly Corfield Carr
Husserl's Transcendental Subjectivity
Husserl’s Transcendental Subjectivity
image
Image Consciousness
Image Subject
Infinite Intricacy
Joyce's Understanding
Joyce’s Understanding
Language_English
Lee's Reading
Lee’s Reading
Liesegang Rings
literary stratigraphy
Magic Lantern
Maria Pia Pagani
memory and temporality
modernist consciousness studies
Nigel Kneale
PA=Available
Play Back
Pook's Hill
Pook’s Hill
Price_€100 and above
PS=Active
psychoanalysis in literature
psychological
psychological layers in early 20th century fiction
Psychological Strata
Sally Blackburn
Silver Nitrate Solution
site
softlaunch
strata
Supraliminal Consciousness
Thomas Hardy's Poetry
Thomas Hardy’s Poetry
Time Slip Narratives
Virginia Zimmerman
visual perception in narrative
Vortex Rings
Xavier Le Brun
Young Man

Product details

  • ISBN 9781138317765
  • Weight: 396g
  • Dimensions: 152 x 229mm
  • Publication Date: 04 Jul 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book scrutinizes physical, temporal and psychological strata across early twentieth-century literature, focusing on geological and archaeological tropes and conceptions of the stratified psyche. The essays explore psychological perceptions, from practices of envisioning that mimic looking at a painting, photograph or projected light, to the comprehension of the palimpsestic complexities of language, memory and time. This collection is the first to see early twentieth-century physical, temporal and psychological strata interact across a range of canonical and popular authors, working in a variety of genres, from theatre to ghost stories, children’s literature to modernist magna opera.

Eleanor Dobson is Lecturer in Nineteenth-Century Literature at the University of Birmingham.

Gemma Banks is a Ph.D. candidate at the University of Birmingham.