A01=Mary D. Sheriff
Author_Mary D. Sheriff
Category=AFC
Category=AGB
Category=DNBM
Category=JBCC
Category=JBSF1
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Product details
- ISBN 9780226752822
- Weight: 624g
- Dimensions: 17 x 24mm
- Publication Date: 24 Oct 1997
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Elisabeth Vigee-Lebrun (1755-1842) was an enormously successful painter, a favourite portraitist of Marie-Antoinette, and one of the few women accepted into the Royal Academy of Painting and Sculpture. In accounts of her role as an artist, she was simultaneously flattered as a charming woman and vilified as monstrously unfeminine. In this study Mary D. Sheriff uses Vigee-Lebrun's career to explore the contradictory position of "woman-artist" in the moral, philosophical, professional, and medical debates about women in 18th-century France. Paying particular attention to painted and textual self-portraits, Sheriff shows how Vigee-Lebrun's images and memoirs undermined the assumptions about "woman" and the strictures imposed on women. Engaging ancien-regime philosophy, as well as modern feminism, psychoanalysis, literary theory, and art criticism, Sheriff's interpretations of Vigee-Lebrun's paintings challenge us to rethink the work and the world of this controversial woman artist.
