Exchanging Objects

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19th century
A01=Catherine A. Nichols
anthropology
appropriation
archival
art
art collectors
Author_Catherine A. Nichols
career
Category=GLZ
Category=JBCC
Category=JHM
classifying objects
collections catalogs exhibitions
contemporary museum work
deaccessioning
duplicate specimens
engaging
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
exchange
historical account
history
local institutions
museum curators
museum exchanges
museum objects
museum professionals
museum studies
museums
page turner
realistic
schools
smithsonian institution
technical requirement

Product details

  • ISBN 9781800730526
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Apr 2021
  • Publisher: Berghahn Books
  • Publication City/Country: GB
  • Product Form: Hardback
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As an historical account of the exchange of “duplicate specimens” between anthropologists at the Smithsonian Institution and museums, collectors, and schools around the world in the late nineteenth century, this book reveals connections between both well-known museums and little-known local institutions, created through the exchange of museum objects. It explores how anthropologists categorized some objects in their collections as “duplicate specimens,” making them potential candidates for exchange. This historical form of what museum professionals would now call deaccessioning considers the intellectual and technical requirement of classifying objects in museums, and suggests that a deeper understanding of past museum practice can inform mission-driven contemporary museum work.

Catherine A. Nichols is an Advanced Lecturer in Cultural Anthropology and Museum Studies at Loyola University Chicago, where she serves as Director and Curator of the May Weber Ethnographic Study Collection. Previously she was the Assistant Curator at Arizona State University's Museum of Anthropology. Her work on exchanges at the Smithsonian Institution and Field Museum has been published in Museum Anthropology, Museum and Society, and History and Anthropology. In addition to curatorial work, she is currently developing critical digital projects with museum databases and archival systems.

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