Exemplary Things

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A01=Christine M. E. Guth
Author_Christine M. E. Guth
Category=ABA
Category=AGA
Category=JBCC2
Category=NHF
classificatory systems
cultural keyword
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
famous things
heirloom teawares
Intangible Cultural Property
Japanese cultural heritage
Japanese regional products
Kobori Enshu
kokuho
Matsudaira Fumai
Meibutsu
meiko
meisho
meito
Mukei juyo bunkazai
names
naming
National Treasures
tea ceremony
Yamanoue Soji

Product details

  • ISBN 9780691274478
  • Dimensions: 178 x 254mm
  • Publication Date: 11 Nov 2025
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
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A beautifully illustrated history of one of the most important cultural categories in Japan

The Japanese term meibutsu refers to things of the highest cultural value, evolving over time to encompass both craft and fine art, high and low culture, and manufactured and natural items. Material goods designated as meibutsu range from precious art objects to regional products like bamboo baskets and ceramics. Exemplary Things traces the history of this epistemic classificatory system in Japanese culture from its elite origins in the fifteenth century to its commercial appropriation today.

Christine Guth explores the use of meibutsu to designate famous things (especially in the elevated context of tea practice), the term’s institutionalization, and its popularization through print media and replicas (utsushi), and discusses how the term was used in critiques of the extravagance associated with collecting these costly treasures. She looks at the intertwined histories of meibutsu swords, incense, and tea utensils, focusing on their identities and agency as things with personal names. Guth explains how meibutsu evolved from a culture of tributes, taxes, and gift giving associated with a sense of place into a term essential to cultural literacy, and how Japan’s modern legislation for the protection of its national treasures (kokuhō) drew on this legacy.

With stunning illustrations, Exemplary Things casts the art history of Japan in a new light, showing how the concept of meibutsu blurs the lines between economic value, cultural and aesthetic worth, and the furtherance of political power.

Published in association with the P. Y. and Kinmay W. Tang Center for East Asian Art at Princeton University

Christine M. E. Guth led the Asian specialism in the Victoria and Albert Museum and Royal College of Art’s History of Design Program from 2007 to 2016. Her books include Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle (Princeton); Art of Edo Japan: The Artist and the City 1615–1868; and Hokusai’s Great Wave: Biography of a Global Icon.

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