Exhibiting Antonio Canova

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A01=Christina Ferando
ancient and modern aesthetics
antonio canova
art theory
art theory discourse
Author_Christina Ferando
Category=ABA
display
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
female nude analysis
materiality in art
museum display practices
neoclassical sculpture
reception theory
sculptural theory modern definitions
sculpture

Product details

  • ISBN 9781041179030
  • Weight: 540g
  • Dimensions: 210 x 260mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova’s sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders’ discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general.

Christina Ferando is currently the Dean of Jonathan Edwards College and Lecturer in the Department of History of Art at Yale University.

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