Exhibiting Craft and Design

Regular price €56.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Ancient Korea
Category=AB
Category=ABA
Category=AGA
Category=AGC
Category=AK
Category=GLZ
Category=NH
Category=NHB
Christine Y. Hahn
contemporary art
Contemporary Ceramics
Contemporary Ceramics Practice
Contemporary Craft
contemporary craft exhibitions
craft
craft exhibition curatorial methodologies
Craft Objects
curatorial practice
curatorial studies
curators
Design Exhibition
design history
Design Museums
design object interpretation
design objects
display
Dorset History Centre
Edmund De Waal
Eero Saarinen
Elise Hodson
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exhibition Catalogue
exhibition history
exhibition studies
gallery spatial strategies
Gloria Hickey
Good Design Exhibitions
High Cross House
James Beighton
Jen Hutton
Korean Art
Laura Gray
Lisa Vinebaum
material culture studies
Middlesbrough Institute
modern art
modernism
museology
museum display theory
museum studies
Roberta Bernabei
Sarah Nasby
Simon Olding
Studio Craft
Studio Craft Movement
Super Normal
Ted Noten
Ter Haar Romeny
twentieth century
Vice Versa
Virginia Gardner Troy
White Cube
White Cube Paradigm
White Space

Product details

  • ISBN 9780367667801
  • Weight: 390g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Exhibiting Craft and Design: Transgressing the White Cube Paradigm, 1930–present investigates the ways that craft and design objects were collected, displayed, and interpreted throughout the second half of the twentieth century and in recent years. The case studies discussed in this volume explain the notion the neutral display space had worked with, challenged, distorted, or assisted in conveying the ideas of the exhibitions in question. In various ways the essays included in this volume analyse and investigate strategies to facilitate interaction amongst craft and design objects, their audiences, exhibiting bodies, and the makers. Using both historical examples from the middle of the twentieth century and contemporary trends, the authors create a dialogue that investigates the different uses of and challenges to the White Cube paradigm of space organization.

Alla Myzelev is Visiting Assistant Professor, SUNY Geneseo, USA.