Exhibiting Outside the Academy, Salon and Biennial, 1775-1999
Regular price
€56.99
14 days return policy
Shipping & Delivery
Age Group_Uncategorized
Age Group_Uncategorized
alternative exhibition case studies
art exhibition history
Art Treasures Exhibition
artist-led initiatives
Artistic Arrival
automatic-update
B01=Andrew Graciano
Category1=Non-Fiction
Category=AB
Category=ACQB
Category=AGA
Contemporary African Art
COP=United Kingdom
crystal
curatorial practice
Delivery_Pre-order
display strategies
Edgar Degas
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibition
exhibitions
Farnese Hercules
Ferando Christina
florine
Florine Stettheimer
Getty Research Institute
Graciano Andrew
Gustave Courbet
Hanson Katie
Hoffnung Der Frauen
independent art spaces
Ingres
J.H. Berland Rosa
Jason Haladyn Julian
Jean Baptiste Regnault
Language_English
M. Floyd Kathryn
M. Von Lintel Amy
Manchester Art Treasures Exhibitions
Marcel Broodthaers
McPherson Heather
Medici Venus
museum studies
Nineteenth Century Section
Okwui Enwezor
PA=Temporarily unavailable
palace
Pohrt Tanya
Price_€20 to €50
Private Exhibition
PS=Active
RA Exhibition
royal
Royal Academy
Royal Academy Exhibitions
shakespeare
Shakespeare Gallery
softlaunch
solo
Solo Shows
St Martin's Lane
St Martin’s Lane
Stefanis Konstantinos
stettheimer
Stock Karen
sydenham
Sydenham Crystal Palace
Y. Hahn Christine
Young Man
Product details
- ISBN 9780367668969
- Weight: 780g
- Dimensions: 174 x 246mm
- Publication Date: 30 Sep 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David’s exhibition of Intervention of the Sabine Women (1799) and The First Impressionist Exhibition of 1874 - despite the fact that these sorts of exhibitions and critical scholarship about them have become commonplace (and no less important) in the contemporary art world. The present volume uses and contextualizes eleven case studies to advance some overarching themes and commonalities among alternative exhibitions in the long modern period from the late-eighteenth to the late-twentieth centuries and beyond. These include the issue of control in the interrelation and elision of the roles of artist and curator, and the relationship of such alternative exhibitions to the dominant modes, structures of display and cultural ideology.
Andrew Graciano is Associate Professor of Art History at the University of South Carolina, USA. He is author of Joseph Wright, Esq.: Painter and Gentleman (2012) and editor of Visualising the Unseen, Imagining the Unknown, Perfecting the Natural: Art and Science in the 18th and 19th Centuries (2008).
