Expanding Nationalisms at World's Fairs

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Akseli Gallen Kallela
Albert Edelfelt
Alhambra Palace
Anca I. Lasc
Antwerp
Applied Art
Arab Islamic World
Arab Tent
Argentina
art and politics
art history
art markets
Bart Pushaw
Belgium
Cairo
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Category=AGA
Category=GLZ
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Chile
China
Christian A. Hedrick
Chung Sai Yat Po
Copenhagen
cultural diplomacy
Daniela N. Prina
Debra Hanson
Decorative Arts
Denmark
Dickinson Brothers
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eq_history
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Esplanade Des Invalides
Ethan Robey
Europe
exhibition design history
exhibition history
Finland
Finnish National Board
Finnish Pavilion
Georges De Feure
Girault De Prangey
Hannah L. Sigur
history of design
Hungary
imperialism
imperialism studies
industrial modernity
industrialization
international exhibitions
Islam
Italy
Jorn Guldberg
London
M. Elizabeth Boone
marginalised voices in design
museum studies
National Exposition
National Pavilion
nationalism
nineteenth century
Nineteenth Century World's Fairs
Nineteenth Century World’s Fairs
nineteenth-century global expositions
Nordic Exhibition
Panama Pacific International Exposition
Paris
Phoenix Hall
Rebecca Houze
Royal Porcelain Factory
Rue Des Nations
South America
Susan R. Fernsebner
Tokyo Academy
transnational artistic exchange
twentieth century
Uruguay
Vernacular Print Culture
World's Fairs
World’s Fairs

Product details

  • ISBN 9781138501751
  • Weight: 1080g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Oct 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Expanding Nationalisms at World’s Fairs: Identity, Diversity, and Exchange, 1851–1915 introduces the subject of international exhibitions to art and design historians and a wider audience as a resource for understanding the broad and varied political meanings of design during a period of rapid industrialization, developing nationalism, imperialism, expanding trade and the emergence of a consumer society. Its chapters, written by both established and emerging scholars, are global in scope, and demonstrate specific networks of communication and exchange among designers, manufacturers, markets and nations on the modern world stage from the second half of the nineteenth century into the beginning of the twentieth.

Within the overarching theme of nationalism and internationalism as revealed at world’s fairs, the book’s essays will engage a more complex understanding of ideas of competition and community in an age of emergent industrial capitalism, and will investigate the nuances, contradictions and marginalized voices that lie beneath the surface of unity, progress, and global expansion.

David Raizman is Distinguished University Professor of Art and Art History in the Westphal College of Media Arts & Design at Drexel University in Philadelphia.

Ethan Robey is Assistant Professor of the History of Decorative Arts and Design at Parsons School of Design, and Associate Director of the MA Program in the History of Design and Curatorial Study run by Parsons and Cooper Hewitt, Smithsonian Design Museum.