Experiencing Liveness in Contemporary Performance

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affective experience
Attention
Audience
audience engagement
Audience Studies
Audiencing
Category=AFKP
Category=AT
Category=ATD
Category=ATX
Chapter Arts Centre
Clips
co-presence research
Contemporary Dance
Contemporary Performance
Dense
digital mediation
Disengaged
Emancipated Spectator
Embodiment
embodiment studies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eventness
Face To Face
Fandom
Follow
Gob Squad
Held
Lapped
Live
Live Encounter
Live Event
Live Music
live performance audience interaction
Liveness
Media Studies
Mediation
Music Made Live
Musical Improvisation
Nowness
Odd
Orange Dog
Performance
performance theory
Performative Archiving
Performing Arts
Persona
Philip Auslander
Research
Schneemann
Sisters Academy
Spectating
Stacked
Tattooed
Theater
Theatre
Timeline
Trousers
Vice Versa
Wandered
Young Man

Product details

  • ISBN 9780367513566
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making. Drawing together contributions from theatre, music, dance, and performance art, it takes an interdisciplinary approach in asking not what liveness is, but how it matters and to whom.

The book invites readers to consider how liveness is produced through processes of audiencing - as spectators bring qualities of (a)liveness into being through the nature of their attention - and how it becomes materialized in acts of performance, acts of making, acts of archiving, and acts of remembering. Theoretical chapters and practice-based reflections explore liveness, eventness and nowness as key concepts in a range of topics such as affect, documentation, embodiment, fandom, and temporality, showing how the relationship between audience and event is rarely singular and more often malleable and multiple. With its focus on experiencing liveness, this collection will be of interest to disciplines including performance, audience and cultural studies, visual arts, cinema, and sound technologies.

Matthew Reason is Professor of Theatre and Performance at York St John University, UK. Anja Mølle Lindelof is Assistant Professor of Performance Design at Roskilde University, Denmark.