Experimental Psychology of Beauty

Regular price €65.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=C.W. Valentine
Aesthetic Enjoyment
aesthetic perception
Apparent Heaviness
art appreciation research
auditory
Auditory Imagery
Author_C.W. Valentine
Category=JMA
Category=JMR
Category=JNC
Category=QDTN
Chopin
Colour Preferences
compositions
cross-cultural aesthetics
developmental taste formation
differences
Edward Bullough
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
experimental studies of artistic judgement
Follow
Golden Section
Golden Section Ratio
Goose Girl
great
Horizontal Vertical Illusion
imagery
individual
Keen Lovers
Modern Art
Modern Poetry
monographs
musical
Musical Compositions
Musical Intervals
Popular Science
Popular Science Monthly
psychological
psychological aesthetics
Quarter Tone Music
Rouen Cathedral
sensory evaluation methods
Suggested Movement
Vice Versa
visual
Visual Imagery
Vivid Visual Imagery
W Ordsw Orth

Product details

  • ISBN 9781138899889
  • Weight: 850g
  • Dimensions: 138 x 216mm
  • Publication Date: 20 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Originally published in 1962, the experimental study of aesthetics was a field particularly associated with the name of C.W. Valentine, who in this book provided a critical review of research carried out since the end of the nineteenth century principally by British and American psychologists. The investigations described, many of them conducted by the author, are concerned with individual responses to what is commonly regarded as beautiful in painting, music, and poetry, an important distinction being made between the perception of objects as ‘beautiful’ as opposed to ‘pleasing’. The reactions of children and adults, and of people having different ethnic and social backgrounds, are explored in a variety of experiments dealing with specific elements, including colour, form, and balance in painting; musical intervals, discord, harmony, melody, and tempo; and rhythm, metre, imagery, and associations in classical and romantic poetry. Other experiments seek to disclose the temperamental and attitudinal factors underlying individual differences in the judgement and appreciation of specific works of art. Of particular interest are the studies of responses to modern paintings, poems and musical compositions.

The findings throw light on the development of discrimination and taste and suggest the possibility of some common factor in the appreciation of these three arts. It was felt that critics as well as psychologists and aestheticians would find much to encourage reflection and to stimulate further research.

More from this author