Experimental Self-Portraits in Early French Photography

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A01=Jillian Lerner
Age Group_Uncategorized
Age Group_Uncategorized
Albumen Silver Print
albums
Anatomical Illustration
art history
art history methodology
Author_Jillian Lerner
automatic-update
Beaux Arts De Paris
Boulevard Des Italiens
Bovine Studies
Camera Portraits
Captioned specimens
Category1=Non-Fiction
Category=AB
Category=AJ
Charles Philipon
Combination Printing
Commercial Enterprise
COP=United States
Countess de Castiglione
creative
Daguerre's Invention
Daguerre’s Invention
De Photographie
Delivery_Pre-order
Duchenne
Duchenne de Boulogne
early photographic self-representation France
Early Photography
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Experimental self-portraits
Expressive Studies
Facial Anatomy
Felix
France
French photography
Hippolyte Bayard
identity performance studies
Language_English
montage
Nadar
Napoleon III
Nationale De France
nineteenth century
Nineteenth Century Photography
nineteenth-century visual culture
PA=Temporarily unavailable
paint
Painted photographs
Paris Morgue
Paris Universal Exhibition
Photographic demonstrations
photographic montage techniques
Photographic Tableaux
photography
Price_€100 and above
private life
PS=Active
publicity
RMN Grand Palais
Salted Paper Print
science
scientific image analysis
self portrait
selfie
softlaunch
urban
urban spectacle research
visual culture
Wellcome Collection

Product details

  • ISBN 9781501344954
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 17 Nov 2020
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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This book explores a range of experimental self-portraits made in France between 1840 and 1870, including remarkable images by Hippolyte Bayard, Nadar, Duchenne de Boulogne, and Countess de Castiglione. Adapting photography for different social purposes, each of these pioneers showcased their own body as a living artifact and iconic attraction.

Jillian Lerner considers performative portraits that exhibit uncanny transformations of identity and embodiment. She highlights the tactical importance of photographic demonstrations, promotions, conversations, and the mongrel forms of montage, painted photographs, and captioned specimens. The author shows how photographic practices are mobilized in diverse cultural contexts and enmeshed with the histories of art, science, publicity, urban spectacle, and private life in nineteenth-century France. Tracing calculated and creative approaches to a new medium, this research also contributes to an archaeology of the present. It furnishes a prehistory of the “selfie” and offers historical perspectives on the forces that reshape human perception and social experience.

This interdisciplinary study will appeal to readers interested in the history of photography, art, visual culture, and media studies.

Jillian Lerner teaches art history at Emily Carr University of Art and Design.

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