Exploring the Non-Human and Religion in Nineteenth-Century Writings

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19th Century British Literature
19th Century Indian Literature
20th Century British Literature
20th Century Indian Literature
A Fallen Idol
A01=Shuhita Bhattacharjee
Alice Perrin
Animalism
Anstey
Author_Shuhita Bhattacharjee
Category=DSBF
Category=DSBH5
China
Colonial Idols
Cruelty
Deborah Cohen
decadence
Elaine Freedgood
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fear
forthcoming
Haggard
Idolatry
Idols
imperialism
Indian Idols
Katharina Boehm
Kipling
modernity
Monkey-God
Non-human in literature
objects
Orient Blackswan
Philip Meadows Taylor
Postcolonial Literature
Postcolonial Studies
Postsecular Theory
Powered by Clockwork
Religion
Richard Marsh
Seeta
Stefania Forlini
Suzanne Daly
The Goddess
The Joss
The Mark of the Beast
The Moonstone
The Stronger Claim
The Tinted Venus
The Yellow God
Theodora: A Fragment
West Africa
Wilkie Collins

Product details

  • ISBN 9780367512569
  • Dimensions: 152 x 229mm
  • Publication Date: 17 Jul 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Exploring the Non-Human and Religion in Nineteenth-Century Writings: Colonial Idols in British Curation and Culture examines the curatorial and literary representations of colonial idols in British writings of the long nineteenth century as they emerged in the imperial heartland as alien art, invasive commodities, and vessels of affect.

The book studies the colonial anxieties reflected in the narratives surrounding idol-objects as they shifted both geographically and epistemologically—from being objects of worship to objects of display. It further studies the acquisitory material surrounding idol collections at British museums, focusing on the Victoria and Albert Museum (and its Colonial and Indian Exhibition, 1886) and the London Missionary Society museum (and its Orient in London Exhibition, 1908)—unpacking the narrative variations between a national repository of art/design and another operating within an evangelizing arc. The latter segment shows how the fictional portrayal of idols as insurgent automatons and freak-like vehicles of avarice critiques British exploitative colonial practice.

This study crucially excavates the colonial context of the idol’s cultural emergence, significant today given its renewed potency within contemporary South Asian politico-cultural discourses.

Shuhita Bhattacharjee is Associate Professor of English literature and Gender/Sexuality Studies in the Department of Liberal Arts and Adjunct Professor in the Department of Design at the Indian Institute of Technology Hyderabad. She earned her PhD from the University of Iowa, and her research on nineteenth-century literature, critical cultural representations of gender/sexuality, and the South Asian diaspora has appeared in a range of journals and edited collections. Her first monograph (Postsecular Theory, 2023) examines the (post-)colonial construction of the 'religious-secular' binary, with particular attention to nineteenth-century writing. Bhattacharjee recently spearheaded the formation of the Nineteenth-Century Diversities Research Network (NCDRN), South Asia chapter, and is the founder-coordinator of IIT Hyderabad’s Centre for Public Humanities, through which she works on implementing inclusive sex education and eliminating gender-based violence.

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