Exposing the Chasms in Voice Pedagogy

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A01=Dale Cox
Author_Dale Cox
Bourdieu analysis
Category=ATD
Category=AVLA
Category=AVLM
Category=JNM
contemporary commercial music
critical pedagogy
cultural capital
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
habitus theory
higher education
music pedagogy
musical theater
musical theatre
performance studies
signature pedagogies
singing
structural bias in music education
teaching performance
vocal music
vocal pedagogy
voice

Product details

  • ISBN 9781032365411
  • Weight: 470g
  • Dimensions: 138 x 216mm
  • Publication Date: 13 Feb 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This concise book critically examines the intersection of power, privilege, and classical music in higher education through an extensive study of the experiences, training, and background of teachers of musical theatre singing.

Mapping the divides within the voice pedagogy field, it shows how despite the growth of non-classical programmes, the teaching of vocal music in the United States continues to be structurally dominated by Western classical music. Drawing on extensive fieldwork and observations of practicing instructors, the author argues that current voice pedagogy training’s classical-centred approach fails to prepare instructors to teach the range of vocal styles needed in the contemporary musical theatre profession. Combining a critical review of existing practices with proposals for change, this book sheds light on a key problem in voice pedagogy today.

Based on field research and drawing on both Shulman’s signature pedagogies theory and Bourdieu’s concepts of habitus, capitals, practice, and field, this book will be useful for scholars, researchers, and practitioners of voice pedagogy, higher music education, performance education, cultural studies, music, musical theatre, and theatre studies.

Dale Cox, PhD, an Australian singing teacher, researcher, and performer, is an Assistant Professor of Music at Coastal Carolina University, USA, teaching musical theatre, jazz, and all contemporary singing styles. Research interests include structural and systemic issues within the field of voice pedagogy, gender equity in academic employment, contemporary singing, cross-training classical singers into contemporary styles, and student safety in the singing studio.

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