Ezra Pound and the Career of Modern Criticism

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A01=Michael Coyle
A01=Michael G. Coyle
A01=Roxana Preda
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Artistic vision
Author_Michael Coyle
Author_Michael G. Coyle
Author_Roxana Preda
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Category1=Non-Fiction
Category=DS
Category=DSBH
Category=DSC
COP=United States
Critique
Cultural issues
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eq_biography-true-stories
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Ezra Pound
Ideological responses
Language_English
Literary criticism
Literary study
Literary techniques
McCarthyite anxieties
MD
Modern Criticism
PA=Available
Poetry
Postwar era
Price_€50 to €100
PS=Active
Reception history
softlaunch

Product details

  • ISBN 9781571131928
  • Weight: 612g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Sep 2018
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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This first book-length study of Pound criticism investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked. Forty-five years after his death, and more than seventy years after his indictment for treason, Ezra Pound remains a deeply controversial figure. Today it is hard to imagine a poet sparking national debate, but Pound did just that. His receipt in 1949 of the first-ever Bollingen Award for Poetry started a hue and cry that spread to every US periodical that made even a pretense of following "cultural" issues: even Time weighed in. It took two years for things to simmer down, and when they finally did, literary study looked profoundly different. Everyone engaged in the study of poetry today, professors and students alike, works in an environment shaped by that national crisis of conscience. The present book considers this untold story, and investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked. It is routine for reception histories to distinguish between professional studies and more popular responses; this book encourages us to consider why we make that distinction and what the costs of doing so might be. Unprofessional responses to Pound have often been ideologically and politically embarrassing for Pound scholars, who have in response policed the distinction between professional and popular readings with extraordinary vigilance. As a result, the history of Pound's reception unfolds as a kind of drama-perhaps the last ongoing theater for McCarthyite cultural-political anxieties.
MICHAEL COYLE is Professor of English at Colgate University and has published widely on Pound. ROXANA PREDA is Leverhulme Fellow in American Literature at the University of Edinburgh.

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