F*ck the Army!

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60s America
70s America
A01=Lindsay Goss
active-duty troops
Age Group_Uncategorized
Age Group_Uncategorized
American interventionism
American involvement in Vietnam
antiwar activism
army
Author_Lindsay Goss
automatic-update
Category1=Non-Fiction
Category=AN
Category=ATD
Category=DSG
Category=HBLW3
Category=HBW
Category=HBWS2
Category=JPWD
Category=JPWG
Category=NHWR9
college protests
communism
COP=United States
Delivery_Delivery within 10-20 working days
dodging the draft
domino theory
draft
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
FTA
GI
Jane Fonda
John F. Kennedy
Johnson Administration
Johnson and the Vietnam War
Kennedy Administration
Kennedy and the Vietnam War
Kent State
Language_English
LBJ
liberation struggles
Lyndon B. Johnson
military
Nixon Administration
Nixon and the Vietnam War
PA=Available
Price_€20 to €50
protests
PS=Active
Richard Nixon
selective service
softlaunch
soldiers
televised war
television
theatrical activism
TV
TV show
US armed forces
US military
USO tours
Vietnam
Vietnam war
Vietnam War protests
war

Product details

  • ISBN 9781479821860
  • Weight: 376g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Jun 2024
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Reveals the theatrical dimensions of civilian support for the revolutionary GI Movement of the 1960s-70s
Performance played a role both crucial and complicated in the antiwar activism of the 1960s and 1970s. As soldiers and civilian actors, activists, and celebrities worked together to end the Vietnam War, their theatrical acts of solidarity and resistance connected liberation struggles across the lines of race, gender, enlisted status, and nationality.
F*ck The Army! offers the first, fully narrated history of the FTA, an antiwar variety show featuring Jane Fonda that played to tens of thousands of active-duty troops over the course of nine months in 1971. From its very conception, the civilian-led show was directed towards the project of making visible the growing antiwar movement organized by GIs, inspired by but also acting as a rebuttal to the increasingly out-of-touch USO tours presented by Bob Hope. Through an analysis of the FTA's tactical performances of solidarity and resistance, Lindsay Goss brings into view the theatrical dimensions of the GI movement itself, revealing it as representative of the revolutionary and theatrical politics and tactics of the period. The volume highlights how, due to the movement's subsequent historical erasure, a renewed anti-theatricality emerged from the 1960s and became a potent feature of contemporary political discourse.
The author's deft methodological and analytic strategies, in tandem with her elegantly accessible style demonstrate how seemingly little-known performance practices can activate consequential understandings of what we thought we knew about the recent past. At the same time, she encourages essential conversations about pressing contemporary issues that demand our attention. At its core, F*ck The Army! reveals the fundamentally theatrical character of radical activism when it seeks to challenge the status quo.

Lindsay Goss is Lecturer in English and Theatre Studies at the University of Melbourne. Her work has appeared in Contemporary Theatre Review, Performance Research, and TDR.

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