Fabrication for Theatre and Entertainment: Metals

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A01=Michael O'Nele
advanced metalworking for entertainment
alloy selection
aluminium
Author_Michael O'Nele
brass
bronze
Category=ATD
construction
copper
entertainment engineering
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
exhibit fabrication
fabrication
immersive installation design
machinery
machining techniques
metal fabrication
prop construction
scenic construction
stagecraft safety
steel
technical direction
theatre
tools
welding

Product details

  • ISBN 9781032593227
  • Weight: 740g
  • Dimensions: 210 x 280mm
  • Publication Date: 21 Jan 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Fabrication for Theatre and Entertainment: Metals is a reference guide covering the characteristics of metal most relevant to the entertainment industry, layout methods for fabricators, and the tooling and machinery used to fabricate with those products.

This volume provides information that is specific to the types of projects encountered in the entertainment field and offers guidance to entertainment fabricators to ensure a repeatable accurate finished product. The book aims to introduce as many options as possible to help readers decide what the best tools and techniques are to tackle their most frequent challenges or, when faced with a new challenge, to help decide which tool or technique might be the best solution.

Fabrication for Theatre and Entertainment: Metals is intended as a reference for technical designers, technical directors, shop managers, and prop or scenic fabricators working in various parts of the entertainment industry such as film, television, theatre, themed entertainment, exhibits, and immersive installation art.

To access full-color versions of the artwork, visit www.routledge.com/9781032593210.

Michael O’Nele is the faculty Technical Director and an Associate Professor of Theatre at the University of Memphis, Department of Theatre & Dance. He believes that the art of technical direction is to transform imagination into reality, and that technology should be embraced as an artistic tool that provides theatre with new means of expression.

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