Factual Heritage Television

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A01=Michael Samuel
Author_Michael Samuel
Britain post-2008
British heritage
British TV
British visual culture
Category=ATJ
Category=GLZ
Category=GTC
Category=JBCC1
Category=JBCT2
Category=KNTC
cultural identity Britain
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
factual entertainment
heritage studies
media historiography
media studies
nostalgic culture
nostalgic representation
popular culture
popular culture analysis
post-2008 British factual television
socio-political
television studies

Product details

  • ISBN 9781032132419
  • Weight: 390g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Jun 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores the role of heritage in contemporary British visual culture through an analysis of a selection of British factual television series.

Despite being the most popular genre on British and American television since the late-2000s, factual entertainment is often dismissed for its triviality. As such, it has been left out of discussions concerned with visual depictions of British heritage onscreen, which are typically reserved for costume dramas. This book explores television’s relationship with contemporary nostalgic culture, examining Britain’s relationship with its past, its heritage, and its identity. Focusing on a cross-section of factual television programmes, from talent shows and cooking competitions to children’s television and national live sporting events, the author argues that they not only explicitly reflect the socio-political context and nostalgic culture in Britain in the decade following the 2008 financial crisis but have also been instrumental in shaping it.

Proposing a new subgenre of factual entertainment – factual heritage television – this book will be a must-read for scholars and students in television studies, popular culture, history and heritage studies, cultural studies and media studies.

Michael Samuel is a Senior Lecturer in Digital Film and Television at the Department of Film and Television, University of Bristol, UK, where he is also the co-director of the Bristol Digital Game Lab. He is the author of Northern Exposure: A Cultural History and co-editor of TV and Empathy, Streaming and Screen Culture in the Asia-Pacific and True Detective: Critical Essays on the HBO Series.

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