Fandom, Feminism, and the Female Superhero on Film

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A01=Lauryn Angel
anti-fans
Author_Lauryn Angel
Black Widow
Captain Marvel
Category=ATMP
Category=JBCC1
Category=JBSF11
comic book studies
comparative analysis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
Harley Quinn
intersectional feminism
MCU
Ms. Marvel
popular culture
postfeminism
representation
Scarlet Witch
superhero movies
superheroines
toxic fandom
Wonder Woman

Product details

  • ISBN 9781666927986
  • Weight: 520g
  • Dimensions: 156 x 232mm
  • Publication Date: 14 May 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Are the growing numbers of superheroines we see on screen truly breaking boundaries and providing new models of female representation, or do they instead fall prey to the pitfalls of postfeminist representation and toxic fandom dynamics?
Lauryn Angel applies a critical feminist lens to the influx of female superheroes within the Marvel Cinematic Universe and DC Extended Universe and compares them to their comic book counterparts to interrogate both the promises and perils of this cinematic landscape and its fanbases.
Rather than promoting equity and diversity, Angel posits, many of these characters become stuck in the mire of one-dimensional tropes that perpetuate the idea that feminine experiences are one-size-fits-all. This inaccurate representation is compounded by toxic fans—also known as anti-fans—of the superhero genre who argue that any female superhero is nothing more than a cog in the “woke” agenda. Ultimately, Angel finds that the most positive representations also prompt the loudest outcry from anti-fans, further complicating the minefield of competing motivations around the prominence and accuracy of feminist representation in a postfeminist landscape.

Lauryn Angel is a professor of English based in Texas, USA.

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