Fascism and Anti-Fascism in Mexican Graphic Art and Visual Culture in the early 20th Century

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A01=Beth Matusoff Merfish
anti-fascist printing
antisemitism studies
art and ideology
Author_Beth Matusoff Merfish
Category=AB
Category=AGA
Category=GTM
Category=JBSL
Category=JP
Diego Riviera
Dr Atl
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
Jean Charlot
Mexican Nationalism
Mexican Revolution
Mexican visual culture
political art movements
post-revolutionary mexico
public art and fascism in Mexico
revolutionary cultural politics
Taller de GrA!fica Popular

Product details

  • ISBN 9781041136507
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Aug 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book challenges the national myth that Mexican art between the Mexican Revolution and the Second World War was inevitably and thoroughly populist and nationalist and argues instead that there was no such all-encompassing spirit, and even art intended for broad populations was not always democratic.

The author explores the painstaking efforts of artists and arts administrators to stake their claims to public art and link that cultural production to some of the most extreme political goals and allegiances of the early 20th century. The chapters follow influential cultural producers, Vasconcelos, Dr. Atl, and the members of the Taller de Gráfica Popular, whose involvement in thinking about the revolution and the role of art in it began with leadership roles in the early 1920s. In the subsequent decades, these leaders whose work might have seemed to share common values early on pursued sharply divergent paths as they considered global fascist, antifascist, and antisemitic movements. The polarized politics of the Second World War provide an opportunity to assess the extent of the divisions as these leaders divide themselves between Nazi collaborators and members of the resistance. The cultural producers examined in this study had a commonality of an often-agile navigation of nationalist trends in the service of work and philosophies that were flexible, wide ranging, and international. Merfish traces their work over the long period of the early 20th century examining their rise to prominence in the revolutionary period and across the Second World War era.

This book is ideal for researchers and students interested in Mexican Art History, Modern Print Culture, and Mexican History.

Beth Matusoff Merfish is Director of the School of Art and Associate Professor of Art History, University of Houston

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