19th century
A01=Diana Crane
age
alternative dress
america
androgyny
Author_Diana Crane
beauty
branding
capitalism
Category=AKT
Category=JBCC3
Category=NHTB
class
clothing
communication
consumerism
democratization
designers
elites
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnicity
fashion
femininity
film
focus groups
france
gender
history
identity
images
individualism
influencers
interviews
leisure
lifestyle
luxury
masculinity
music
nonfiction
norms
personality
politics
pop culture
resistance
sexual orientation
sexuality
social media
sociology
television
trends
trendsetters
wealth
Product details
- ISBN 9780226117997
- Weight: 539g
- Dimensions: 15 x 24mm
- Publication Date: 01 Sep 2001
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Paperback
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It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares 19th-century societies - France and the United States - where social class was the most salient aspect of social identity signified in clothing with late 20th-century America, where lifestyle, gender, sexual orientation, age and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how 19th-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film and popular music.
No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and "Fashion and Its Social Agendas" stands out as a critical study of gender, fashion and consumer culture.
