Fashion, Interior Design and the Contours of Modern Identity

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Anne Anderson
art
Category=ABA
Category=AKT
Category=AMR
Category=JBCC3
Chinese Embroidery
Chinese Garments
Chinese Robes
Clive Edwards
corbusier
Cottage Crafts
Couture Clothing
deco
decorative arts research
eighteenth century interiors and fashion
eileen
Eileen Gray
elsie
embodiment theory
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Giorgio Armani
gray
Gustav III
Heidi Brevik-Zender
henry
Home Rule
Interior Design
Irving Place
Janice Helland
Jasmine Rault
John Potvin
Joseph McBrinn
Lady's Pictorial
Lady’s Pictorial
Les Fleurs Du Mal
London Townhouse
Londonderry House
material culture studies
Mrs Haweis
National Library
Oil On Canvas
Penny Sparke
Peter McNeil
Private Palaces
queer design history
Queer Space
Sapphic Modernity
Sarah Cheang
Sleeve Bands
spatial identity formation
Stafford House
Strawberry Hill
textile history
van
velde
wolfe
Young Man

Product details

  • ISBN 9780754669159
  • Weight: 560g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 May 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Challenging the notion that fashion and furniture were or are separate enterprises and distinct material aesthetic traditions, this collection focuses on three material and conceptual links central to understanding the relationship between interior design and fashion-the body, fabric, and space. The volume considers the changing visual, material and spatial character, methodological challenges posed by, and formal, political and historiographical significance of, a wide range of British, European and North American case studies since the eighteenth century. The volume's eleven case studies allow the reader to understand connecting notions behind the formation of interiors and fashionable clothing. The essays combine a wide range of significant and challenging new examples alongside powerful reversionary analyses of the various periods, artists, designers, and their best and significant objects. Fashion, Interior Design and the Contours of Modern Identity is concerned not only with fabric, but also with the body and the implications of embodiment in the practices of both design domains which are equally invested in the comfort, aesthetic pleasure, extension and support of the body in different and yet seemingly identical ways.

Alla Myzelev is an Assistant Professor of Art History at the University of Guelph, Canada. She has published on the relationship between Russian and Ukrainian avant-garde and craft, the role of women in the Arts and Crafts Movement as well as the representation of material culture in museums and private collections.

John Potvin is Associate Professor of European Art and Design History at the University of Guelph, Canada. He is the author of Material and Visual Cultures Beyond Male Bonding, 1880-1914: Bodies, Boundaries and Intimacy (2008) and editor of The Places and Spaces of Fashion, 1800-2007 (2009).