Fashionability, Exhibition Culture and Gender Politics

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A01=Meaghan Clarke
actresses
art and gender
art history
Artist's Model
Artist’s Model
Author_Meaghan Clarke
British Library Board
Cameron's Photographs
Cameron’s Photographs
Category=AB
Category=AGA
Category=GLZ
Category=JBSF1
Category=JBSF11
Category=JHB
Category=N
Category=NHD
celebrity culture
celebrity culture studies
collecting
collecting culture
collectors
cosmopolitanism
curators
decorative objects
Edwardian
eq_art-fashion-photography
eq_bestseller
eq_history
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Eveleen Myers
exhibition culture
exhibition studies
exhibitions
Fair Women
Fashion Plates
fashionability
female collectors
Female Sitters
feminist art history
Franz Von Lenbach
gender politics
gender representation in art
gender stereotypes
gender studies
Gertrude Campbell
Grafton Galleries
Grosvenor Gallery
Henrietta Ward
Illustrated London News
International Society
Loan Exhibitions
Master Exhibitions
Millais Portrait
modernity
Mummy Portrait
museum studies
museum studies research
Myers's Work
Myers’s Work
National Trust Images
nineteenth century
paintings
patrons
Platinum Print
portraits
portraits of women
Royal Academy
Sedan Chairs
Superb
the new art press
twentieth century
Victorian
Victorian art
Victorian art exhibitions
Victorian Era Exhibition
Victorian studies
visual culture
West Gallery
Woman's Exhibition
Woman’s Exhibition
women as cultural arbiters in exhibitions
women collectors
women's studies

Product details

  • ISBN 9780367502751
  • Weight: 540g
  • Dimensions: 174 x 246mm
  • Publication Date: 19 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects.

Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition.

This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.

Meaghan Clarke is Senior Lecturer in Art History at the University of Sussex, UK.

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