Fear of Music (2nd Edition)

Regular price €17.50
A01=David Stubbs
Age Group_Uncategorized
Age Group_Uncategorized
AndyWarhol
Author_David Stubbs
automatic-update
Avant Garde
Avant Garde Art
Avant Garde Music
Category1=Non-Fiction
Category=AVC
Composition
Contemporary Art
Contemporary Art and Music
Contemporary Music
COP=United Kingdom
Damien Hirst
Delivery_Delivery within 10-20 working days
Duality Between Visual and Performing Arts
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Experimental Art
Experimental Music
Francis Bacon
History of Modern Art
History of Modern Music
Kandinsky
Language_English
Mark Rothko
Media
Modern Art
Modern Classical Music
Modern Ensemble Music
Modern Music
Musical Composition
Musicians and Artists
PA=Available
Parallel Histories of Modern Art and Modern Music
Price_€10 to €20
PS=Active
Rothko
Schoenberg
softlaunch
Stockhauen

Product details

  • ISBN 9781803417608
  • Dimensions: 140 x 216mm
  • Publication Date: 26 Jul 2024
  • Publisher: Collective Ink
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

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Modern art is a mass phenomenon. Conceptual artists like Damien Hirst enjoy celebrity status. Works by 20th century abstract artists like Mark Rothko are selling for record breaking sums, while the millions commanded by works by Andy Warhol and Francis Bacon make headline news. However, while the general public has no trouble embracing avant garde and experimental art, there is, by contrast, mass resistance to avant garde and experimental music, although both were born at the same time under similar circumstances - and despite the fact that from Schoenberg and Kandinsky onwards, musicians and artists have made repeated efforts to establish a "synaesthesia" between their two media. Fear of Music examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regarded with bewilderment, as noisy, random nonsense perpetrated by, and listened to by the inexplicably crazed. It draws on interviews and often highly amusing anecdotal evidence in order to find answers to the question: Why do people get Rothko and not Stockhausen?
David Stubbs is a freelance journalist, author, satirist and football obsessive. He works in Britain, and his work regularly appears in The Guardian, The Sunday Times, The Wire, Men's Health and When Saturday Comes among others. He lives in London, UK.