Female Aerialists in the 1920s and Early 1930s

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A01=Kate Holmes
Aerial Action
Aerial Equipment
Aerial Movement
Aerial Performance
aerial practitioners
American Circus
American Vaudeville
Applied Theatre Contexts
Author_Kate Holmes
Bailey Circus
Category=DNB
Celebrity Allure
circus history
Circus Space
Circus Stars
circus studies
Disruptive Diva
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Female Aerialists
Female Exercise
female physical culture
gender and sport
gendered performance
Individual's Lived Experience
Individual’s Lived Experience
interwar period female performers
kinaesthetic analysis
Lillian Leitzel
Luisita Leers
Modern Femininity
Modern Girl
muscular women
performance studies
Pop Star
popular entertainment research
popular performance
Public Intimacy
Ringling Bros
Roman Rings
Royal Agricultural Hall
Sexual Desirability
Trapeze Bar
Visual Culture
Young Man

Product details

  • ISBN 9781032132914
  • Weight: 460g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Female solo aerialists of the 1920s and early 1930s were internationally popular performers in the largest live performance mass entertainment of the period in the UK and USA. Yet these aerialists and this period in circus history have been largely forgotten despite the iconic image of ‘the’ female aerialist still flaring in the popular imagination.

Kate Holmes uses insights gained as a practitioner to reconstruct in detail the British and American performances and public personae of key stars such as Lillian Leitzel, Luisita Leers, and the Flying Codonas, revealing what is performed and implicit in today’s practice. Using a wealth of original sources, this book considers the forgotten stars whose legacy of the cultural image of the female aerialist echoes. Locating performers within wider cultural histories of sport, glamour, and gender, this book asks important questions about their stardom, including: Why were female aerialists so alluring when their muscularity challenged conservative ideals of femininity and how did they participate in change? What was it about their movements and the spaces they performed in that activated such strong audience responses?

This book is vital reading for students and practitioners of aerial performance, circus, gender, popular performance, and performance studies.

Kate Holmes is a Postdoctoral Research Associate at the University of Exeter. Her aerial research explores contemporary and historical audience experience from a practitioner-perspective, using approaches that include examining space, gender, and exercise history. Her research has appeared in journals, including New Theatre Quarterly and Early Popular Visual Culture, and in edited collections.

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