Female Art and Agency in Yugoslavia, 1971–2001

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1970s Yugoslavia
A01=Anja Foerschner
Alma Suljevic
alternative art
April Meetings
artistic exchange
artistic resistance
Author_Anja Foerschner
Bitef
body art
Category=AGA
Category=JBSF11
Center for Cultural Decontamination
Dah Teatar
Ema Kugler
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
female activism
female agency
female art history
female artists
Female Performance Artists
gender-related art
Jelica Radovanovic
Katalin Ladik
Linije Sile
Milica Mrda
New Artistic Practice
Oktobar
Performance Art
PPT
Student Cultural Center Belgrade
Vlasta Delimar
Yugoslav art
Yugoslav art history
Yugoslav Performance Art
Zaneta Vangeli

Product details

  • ISBN 9781350229259
  • Weight: 320g
  • Dimensions: 152 x 232mm
  • Publication Date: 11 Dec 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Despite having become marginalized on the map of contemporary art since the wars of the 1990s, the regions of former Yugoslavia continue to be a hub of creative activity. Especially noteworthy is the strong presence of women artists, scholars, and activists whose deeply personal, yet highly political artwork is rooted in a long legacy of female artistic agency. Building on existing scholarship as well as original research, this book highlights how female figures – through art and exhibition making, writing, mentorship, and activism – have shaped the alternative art scene in former Yugoslavia and placed the region firmly on the map of the international post-avantgarde.

Using the founding of the Student Cultural Center Belgrade in 1971 as a starting point, the book details the pioneering work of women in the realm of curation, where they developed radical exhibition concepts and programs that furthered the development of the New Art Practice and embedded Yugoslavia firmly on the map of the international postwar-avantgardes. It highlights the agency of female artists in the then-novel realms of performance art, video art, and new media art and shows how their work has helped these disciplines to gain the impact they retain until the present day. What is more, it shows how female cultural workers have courageously used their work to further the discourse on gender, sexuality, and the female body and, at a time when they saw themselves stripped of basic rights by the chauvinist-nationalist regimes emerging after Yugoslavia’s breakup, formed a strong artistic and activist opposition.

Highlighting the role of women in the diversification of the ex-Yugoslavia states and its highly unique cultural and political landscape, this book addresses the noticeable gap in art historical scholarship that exists not only around Yugoslavia and its successor states, but especially on its female representatives.

Anja Foerschner is an art historian and curator of contemporary art focusing on feminist art, performance art, and art from the regions of Eastern Europe. She is the director of ECC Performance Art and a lecturer at ArtEZ University’s Home of Performance Practices, the Netherlands.

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