Female Detectives on Post-Network Television

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A01=Alison Wielgus
Author_Alison Wielgus
Ben Singer
Black Lives Matter
Broadchurch
Category=ATJ
Category=ATJS
Category=ATMF
Category=JBSF1
Cathy Caruth
copaganda
crime drama
crime procedurals
crime television
E. Ann Kaplan
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
ethics of care
female detectives
feminism
Forbrydelsen
Happy Valley
Jessica Jones
Mare of Easttown
maternality
melodrama
MeToo
post-network television
Prime Suspect
serialization
sexual assault
Sharp Objects
television studies
The Fall
Top of the Lake
transnational crime television
trauma
Veronica Mars
woman detective

Product details

  • ISBN 9781666919301
  • Weight: 560g
  • Dimensions: 154 x 232mm
  • Publication Date: 19 Mar 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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In this book, Alison Wielgus analyzes post-network female detective television through the lenses of genre, industry, and discourses of police abolition to argue for a radicalization of crime television that incorporates discourses of restorative justice and a feminist ethics of care.

Wielgus positions the genre as a primary site to examine the intersections of cultural discourses like #MeToo and Black Lives Matter, considering the roles of several components of the genre, including serialization, circulation, family trauma, transnational victimhood, and discourses of police abolition, among others. Drawing on narrative and genre theory, the book argues that a melodrama/crime television dialectic undergirds post-network detective television, allowing the female detective to emerge as a contested figure representative of larger cultural tensions between gender and policing.

While changing industrial measures have allowed for niche programming to evolve and more rigorously interrogate gender norms, Wielgus finds that this disruption rarely extends to the institution of policing itself. Ultimately, this book identifies a central problem of crime television in the limitations the genre places on the construction and representation of the structural and societal functions of policing, even amid other strides in progressive representation.

Alison Wielgus is Professor of Media Studies at the University of Wisconsin-Superior, USA.

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