Female Reader in the English Novel

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A01=Joe Bray
Anna Larpent
Author_Joe Bray
Bridgetina Botherim
Captain Benwick
Category=DSB
Category=DSBF
Category=DSK
Category=JBSF1
century
Circulating Library
Cognitive Poetics
critical reading strategies
ction
ctional
Discourse World
discussions
ective
eighteenth
eighteenth century literature
Emma's Reading
Emma’s Reading
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Quixote
female reading practices in novels
Fi Ctional Worlds
Hays's Text
Hays’s Text
Impartial Spectator
Infl Aming
La Nouvelle
Lady Aurora
Lady Delacour
late
Late Eighteenth Century Discussions
literary criticism theory
Lord Elmwood
Mansfi Eld Park
Mowbray Castle
portraiture in fiction
Radcliffe's Heroines
Radcliffe’s Heroines
reading
refl
Refl Ective Reading
Self-fl Agellation
St Preux
sympathy and emotion
Text World
women readers history
worlds
Young Man

Product details

  • ISBN 9780415396011
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Sep 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines how reading is represented within the novels of the late eighteenth and early nineteenth century. Contemporary accounts portrayed the female reader in particular as passive and impressionable; liable to identify dangerously with the world of her reading. This study shows that female characters are often active and critical readers, and develop a range of strategies for reading both texts and the world around them. The novels of Frances Burney, Charlotte Smith, Mary Hays, Elizabeth Inchbald, Maria Edgeworth and Jane Austen (among others) reveal a diversity of reading practices, as how the heroine reads is often more important than what she reads. The book combines close stylistic analysis with a consideration of broader intellectual debates of the period, including changing attitudes towards sympathy, physiognomy and portraiture.

Joe Bray lectures in English Language and Literature at the University of Sheffield. He is the author of The Epistolary Novel: Representations of Consciousness (Routledge, 2003) and co-editor of Ma(r)king The Text: The Presentation of Meaning on the Literary Page (Ashgate, 2000).

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