Female Romantics

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A01=Caroline Franklin
Arthur Huntingdon
Author_Caroline Franklin
Bm Satire
Byron's Giaour
byronic
Byronism influence on women writers
Byron’s Giaour
Category=DSBF
Category=DSK
Category=JBSF1
century
childe
Childe Harold's Pilgrimage
Childe Harold’s Pilgrimage
Contemporary Society
Curtain Lectures
don
Don Juanism
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist literary criticism
gender and authorship
harold's
hero
John Fox
juan
Lady Byron's actions
Lady Caroline Lamb
Litchfield Female Academy
Mary Wollstonecraft
Myth's Endorsement
Myth’s Endorsement
nineteenth
Nineteenth Century Women Novelists
nineteenth-century female novelists
nineteenth-century literature
Oldtown Folks
Oriental Tale
pilgrimage
political freedom
Romantic movement
Romantic period studies
Silver Fork Fiction
transnational literary networks
Wild Irish Girl
Wild Man
Wildfell Hall
women
women's literary history
Young Man

Product details

  • ISBN 9781138850743
  • Weight: 362g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Nov 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Awarded the Elma Dangerfield Prize by the International Byron Society in 2013

The nineteenth century is sometimes seen as a lacuna between two literary periods. In terms of women’s writing, however, the era between the death of Mary Wollstonecraft and the 1860s feminist movement produced a coherent body of major works, impelled by an ongoing dialogue between Enlightenment ‘feminism’ and late Romanticism. This study focuses on the dynamic interaction between Lord Byron and Madame de Staël, Lady Morgan, Mary Shelley and Jane Austen, challenging previous critics’ segregation of the male Romantic writers from their female peers.

The Romantic movement in general unleashed the creative ambitions of nineteenth-century female novelists, and the public voice of Byron in particular engaged them in transnational issues of political, national and sexual freedom. Byronism had itself been shaped by the poet’s incursion onto a literary scene where women readers were dominant and formidable intellectuals such as Madame de Staël were lionized. Byron engaged in rivalrous dialogue with the novels of his female friends and contemporaries, such as Caroline Lamb, Mary Shelley and Jane Austen, whose critiques of Romantic egotism helped prompt his own self-parody in Don Juan. Later Victorian novelists, such as George Sand, the Brontë sisters and Harriet Beecher Stowe, wove their rejection of their childhood attraction to Byronism, and their dawning awareness of the significance for women of Lady Byron’s actions, into the feminist fabric of their art.

Caroline Franklin is Professor of English at the University of Wales, Swansea, where she is Director of the Centre for Research into Gender and Culture.

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