A01=Maggie Humm
Author_Maggie Humm
Category=ATFA
Category=JBSF11
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eq_bestseller
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eq_non-fiction
eq_society-politics
feminism
film studies
Product details
- ISBN 9780748609000
- Weight: 533g
- Dimensions: 156 x 234mm
- Publication Date: 01 Mar 1997
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
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This is the first study to apply a broad range of theory to contemporary film. With dazzling insight and critical aplomb Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses. She begins with an in-depth historical survey of contemporary feminist theory, visual aesthetics and film theory, with a particular focus on the work of Laura Mulvey, Annette Kuhn, E. Ann Kaplan and bell hooks. Subsequent chapters examine the issues of reproduction, pornography and the gaze, autobiography and literary theory, postmodernism, Black feminism and 'the personal is political' in relation to a variety of mainstream and independent films, including Klute, Dead Ringers, A Question of Silence, Orlando and Daughters of the Dust.
Maggie Humm is an Emeritus Professor whose work on Woolf includes Feminism and Film; Modernist Women and Visual Cultures: Virginia Woolf, Vanessa Bell, Photography and Cinema; Snapshots of Bloomsbury: The Private Lives of Virginia Woolf and Vanessa Bell; The Edinburgh Companion to Virginia Woolf and the Arts and The Bloomsbury Photographs. Her novel Talland House takes Lily Briscoe from To the Lighthouse, telling her life outside Woolf’s novel, and Lily solves the mystery of Mrs Ramsay’s sudden death. Among other prizes, the novel won ‘Women’s Fiction’ International Impact Awards. Radical Woman: Gwen John & Rodin, about the artist Gwen John’s affair with Rodin, was a finalist in the American Writing Awards and won the Bookfest Awards for Women’s Historical Fiction.
