A01=Arlene Raven
A01=Cassandra Langer
A01=Joanna Frueh
art historical methodology
Artist's Model
artists
Artist’s Model
Author_Arlene Raven
Author_Cassandra Langer
Author_Joanna Frueh
Black American Women Artists
Carol Duncan
Carolee Schneemann
Cassandra L. Langer
Category=AB
chicago
Chicana Artists
contemporary
Contemporary Feminist Art
Contemporary Women Artists
De Kooning
De Kooning's Women
De Kooning’s Women
Deep Red
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
erotic
Feminist Art
Feminist Art Criticism
Feminist Art Historians
Feminist Art Movement
Feminist Art Work
feminist theory in art history research
gender representation theory
Gloria Feman Orenstein
Gun Powder
historians
history
intersectionality in visual culture
Joanna Frueh
Judith Barry
Judith Leyster
judy
Judy Chicago
King George III
kooning
koonings
Leslie Labowitz
Lise Vogel
Lowery Stokes Sims
Marietta Robusti
Marxist feminist theory
Maryse Holder
Moira Roth
poststructuralist analysis
Sandy Flitterman-Lewis
Schneemann
Shifra Goldman
Silvia Bovenschen
Teresa de Lauretis
Whitney Chadwick
women
women in creative disciplines
Women's Art
Women's Cinema
Women’s Art
Women’s Cinema
Young Man
Product details
- ISBN 9780367094911
- Weight: 494g
- Dimensions: 152 x 229mm
- Publication Date: 13 Jun 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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From the Preface:"The essays in Feminist Art Criticism are theoretical, and we selected them for several reasons. First, they show a diversity of concerns. These include spirituality, sexuality, the representation of women in art, the necessary inter-relationship of theory and action, women as artmakers, ethnicity, language itself, so-called postfeminism and critiques of hte art world, the discipline of art history and the practice of art criticism. Second, the contributors' work has not been either widely disseminated or readily available. Third, the essays, especially arranged as they are (chronologically), demonstrate a continuous feminist discourse in art from the early 1970s through the present, a discourse that is neither monolithic nor intellectually trendy but that rather exhibits many elements, the polemical, Marxist, lyrical, and poststructuralist being only a few."
Arlene Raven
