Feminist Film Studies

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A01=Karen Hollinger
auteurism
Author_Karen Hollinger
Black Female Spectator
Category=ATFA
Category=GTM
Category=JBCC
Category=JBCT
Category=JBSF1
Category=JBSF11
Category=NH
chick
Chick Flick
cinema
cinematic spectatorship
claire
contemporary
Country Music
De Lauretis
desert
Desert Hearts
Dixie Chicks
Dorothy Arzner
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Biopic
Female Spectator
Female Stars
feminist approaches to film analysis
Feminist Auteurism
Feminist Film Studies
Feminist Film Theory
gender representation media
hearts
Independent Woman
intersectional media studies
Lesbian Cinema
Lesbian Portrayals
Lesbian Representations
Lesbian Romance
Lisa Cholodenko
male gaze theory
Mother Daughter Relationships
Oppositional Gaze
Plot Formulas
queer film criticism
sarandon
Stella Dallas
susan
visual culture analysis
Woman's Film
Women Filmmakers
women's

Product details

  • ISBN 9780415575263
  • Weight: 750g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 Jul 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism.

Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include:

  • a brief history of the development of feminist film theory
  • the theorization of the male gaze and the female spectator
  • women in genre films and literary adaptations
  • the female biopic
  • feminism and avant-garde and documentary film
  • women as auteurs
  • lesbian representation
  • women in Third Cinema.

Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period.

This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.

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