Fiction, Film, and Indian Popular Cinema

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1995a
1996b
A01=Florian Stadtler
Aurora Zogoiby
Author_Florian Stadtler
beneath
Bollywood influence on literature
Bombay Talkie
Category=ATF
Category=DSBH5
Category=DSK
Category=GTM
Category=JBCT
Category=NH
cinematic narrative techniques
cultural identity formation
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gibreel Farishta
ground
Hero's Journey
Hero’s Journey
hybridity in literature
Indian diaspora studies
Indian Identity
Indian Popular
Indian Popular Cinema
last
Malik Solanka
Midnight's Children
Midnight’s Children
Mission Kashmir
moor's
Moorish Spain
Mother India
Mother Son Relationship
narrative hybridity in postcolonial India
postcolonial literary analysis
rushdie
Rushdie 1995a
Rushdie 1996b
Rushdie's Engagement
Rushdie's Fiction
Rushdie's Writing
satanic
sigh
South Asian Popular Culture
Sufiya Zinobia
Tamil Nadu
Tv Mini-series
verses
Vina Apsara
Wee Willie Winkie
Young Man

Product details

  • ISBN 9780415807906
  • Weight: 580g
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Oct 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book analyses the novels of Salman Rushdie and their stylistic conventions in the context of Indian popular cinema and its role in the elaboration of the author’s arguments about post-independence postcolonial India. Focusing on different genres of Indian popular cinema, such as the ‘Social’, ‘Mythological’ and ‘Historical’, Stadtler examines how Rushdie’s writing foregrounds the epic, the mythic, the tragic and the comic, linking them in storylines narrated in cinematic parameters. The book shows that Indian popular cinema’s syncretism becomes an aesthetic marker in Rushdie’s fiction that allows him to elaborate on the multiplicity of Indian identity, both on the subcontinent and abroad, and illustrates how Rushdie uses Indian popular cinema in his narratives to express an aesthetics of hybridity and a particular conceptualization of culture with which ‘India’ has become identified in a global context. Also highlighted are Rushdie’s uses of cinema to inflect his reading of India as a pluralist nation and of the hybrid space occupied by the Indian diaspora across the world. The book connects Rushdie’s storylines with modes of cinematic representation to explore questions about the role, place and space of the individual in relation to a fast-changing social, economic and political space in India and the wider world.

Florian Stadtler is Lecturer in Global Literature at the University of Exeter, UK. Previously Research Fellow at The Open University, he has published on South Asian writing in English, Indian popular cinema and British Asian fiction and history. He is Reviews Editor for Wasafiri: The Magazine of International Contemporary Writing.

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