Fictions of the Real

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archive
Argentine performance
Argentine theater
autobiography
autofiction
Biodrama
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Category=ATF
choreography
collaboration
collective creation
curator
curator-artists
devised theater
documentary studies
embodiment
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Federico Leon
fiction and non-fiction
film
flashbacks
forthcoming
ghosting
Grupo Krapp
installation
intermediality
lip-syncing
Lola Arias
Mariano Pensotti
omnivorous theater
pandemic performance
performance
performance as research
post-2001 art and performance
post-dictatorship
postdramatic theater
reenactment
reflexivity
Romina Paula
self-translation
site-specific performance
the real
the real as process
theater
translation
transmediality
urban intervention
verbatim

Product details

  • ISBN 9780472058204
  • Dimensions: 152 x 229mm
  • Publication Date: 02 Sep 2026
  • Publisher: The University of Michigan Press
  • Publication City/Country: US
  • Product Form: Paperback
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Brenda Werth’s Fictions of the Real traces the transformation of “the real” and its transnational conceptualization by Argentine artists in the twenty-first century, focusing on artists who engage in both documentary theater and filmmaking. Werth places the work of Lola Arias, Romina Paula, Federico León, Mariano Pensotti, and Grupo Krapp in dialogue with the distinct but intertwined lineages of theater and film, exploring the intermedial dimensions of these artists’ theatrical work, resonances in their documentary films, and the transmedial relationships between their documentary plays and films. Focusing on the dynamic and shifting context of Argentina between 1998 and 2023, a period roughly bookmarked by the economic crisis of 2001 and the COVID-19 pandemic, this book explores how these artists disrupt the relations of power and counter political manipulation with their own evocative fictions of the real as they engage in the roles of translators, curators, researchers, archivists, and collaborators.

Brenda Werth is Associate Professor of Latin American and Spanish Studies and Department Chair of World Languages and Cultures at American University. She is the coeditor of Bodies on the Front Lines: Performance Gender, and Sexuality in Latin America and the Caribbean.