A01=David Bordwell
Author_David Bordwell
Category=ATFA
cinema
cinematography
composition
early cinema
emotion
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film criticism
film director
film serial
film staging
film studies
film theory
filmmaking
films
formalism
french film
hou hsiao hsien
howard hawks
japanese film
kenji mizoguchi
lighting
louis feuillade
michelangelo antonioni
modulation
nonfiction
pictorial composition
shot design
stylistics
taiwanese film
takeshi kitano
theo angelopoulos
yasujiro ozu
Product details
- ISBN 9780520241978
- Weight: 816g
- Dimensions: 178 x 254mm
- Publication Date: 07 Mar 2005
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
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A film tells its story not only through dialogue and actors' performances but also through the director's control of movement and shot design. Figures Traced in Light is a detailed consideration of how cinematic staging carries the story, expresses emotion, and beguiles the audience through pictorial composition. Ranging over the entire history of cinema, David Bordwell focuses on four filmmakers' unique contributions to the technique. In-depth chapters examine Louis Feuillade, master of the 1910s serial; Kenji Mizoguchi, the great Japanese director who worked from the 1920s to the 1950s; Theo Angelopoulos, who began his career as a political modernist in the late 1960s; and Hou Hsiao-hsien, the Taiwanese filmmaker who in the 1980s became the preeminent Asian director. For comparison, Bordwell draws on films by Howard Hawks, Michelangelo Antonioni, Yasujiro Ozu, Takeshi Kitano, and many other directors. Superbly illustrated with more than 500 frame enlargements and 16 color illustrations, Figures Traced in Light situates its close analysis of model sequences in the context of the technological, industrial, and cultural trends that shaped the directors' approaches to staging.
David Bordwell is Jacques Ledoux Professor of Film Studies and Hilldale Professor of Humanities at the University of Wisconsin-Madison. Among his books are Film History: An Introduction (with Kristin Thompson, 2002), Planet Hong Kong: Popular Cinema and the Art of Entertainment (2000), and On the History of Film Style (1997).
