Figuring the Contemporary in US Popular Cinema, 1967-2022

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60s
A01=Eric D. Smith
Age of Reagan
American Dream
Author_Eric D. Smith
biopolitics
Category=ATFA
Category=ATFN
communicate
Cool Hand Luke
Daybreakers
death drive
desire
dystopia
Eddie and the Cruisers
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
Everything Everywhere All at Once
Failure
forthcoming
freedom
Harold Ramis
History
Mira Nair
Nope
Once Upon a Time in Hollywood
redemption
refusal
Repetition
The Ice Harvest
The Reluctant Fundamentalist
The Shawshank Redemption
time
tolerance
utopia
vampire
West

Product details

  • ISBN 9798765137949
  • Dimensions: 152 x 229mm
  • Publication Date: 17 Sep 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Figuring the Contemporary in US Popular Cinema, 1967-2022: Genre, History, Event explores how popular film offers us frameworks through which to historicize the present and to imagine alternative futures in the opacity of the contemporary moment.

This book offers an original way to interpret the contemporary as form, presenting the idea of contemporaneity as historical concept and not simply as "period" in the temporal sense. It explores how we might historize our current critical preoccupation with the seeming immediacy of the present. This study offers a nuanced set of theoretical interventions and critical analyses tracking how a dominant cultural logic has unfolded over the last six decades by way of the historical evolution of popular cinematic form.

In a "postmodern," "posthistorical" present, the representation of history must assume the forms of inherited plots and familiar genres—periodized formalizations from another time that must ultimately fail to address our own but through which failures and disjunctures the Real of history nonetheless appears in negative relief. This book is therefore about how we might (and must) figure the elusive history of the contemporary by way of such reified, secondhand cultural forms in their spaces of overlap or hybridization or in their failed generic closure.

Eric D. Smith is Professor in the Department of English at the University of Alabama in Huntsville, USA. He is the author of Globalization, Utopia, and Postcolonial Science Fiction: New Maps of Hope (2012) and Postcolonial Naturalism: Periodization, World-Literature, and the Anglophone Novel (2023) and editor of several articles and books, including Parables of Freedom and Narrative Logics: Positions and Presuppositions in Science Fiction and Utopianism, Ralahine Utopian Studies Vols. 23-24 (2021) and Phantasms of the Red Republic: The Cultural Afterlives of the Paris Commune (forthcoming).

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