Film and Everyday Resistance

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1956-66 Indonesian genocide
A Dry White Season
A Separation
A01=Marguerite La Caze
Age Group_Uncategorized
Age Group_Uncategorized
Aime Cesaire
ambiguity
apartheid South Africa
Aristotle
Asghar Farhadi
atonement
Author_Marguerite La Caze
authoritarianism
automatic-update
Barbara
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=HP
Category=QDTS1
Chile
Christian Petzold
close analysis
COP=United States
Delivery_Pre-order
dilemma
duty
East Germany
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethical ambiguity
Euzhan Palcy
Film
girlhood
Haifaa Al Mansour
Hannah Arendt
happiness
hope
Indonesia
international cinema
Iran
Joshua Oppenheimer
Language_English
living in the truth
love
melodrama
moral dilemma
Nader and Simin: A Separation
No
non-violence
PA=Not yet available
Pablo Larrain
perpetrators
philosophy of film
plebiscite
Price_€20 to €50
PS=Forthcoming
realism
reconciliation
resistance
sacrifice
Sara Ahmed
Saudi Arabia
Simone Beauvoir
Simone de Beauvoir
softlaunch
South Africa
survivors
The Look of Silence
trauma
truth
Vaclav Havel
victimhood
W. E. B. Du Bois
Wadjda
witness

Product details

  • ISBN 9780810147454
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Sep 2024
  • Publisher: Northwestern University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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A philosophical exploration of how modern global cinema represents everyday means of resisting authoritarianism and totalitarianism

VÁclav Havel’s concept of “living within the truth” in an authoritarian regime frames Marguerite La Caze’s readings of international cinema, highlighting forms of resistance in which seemingly pre- or nonpolitical aspects of life—such as professional labor, exile, and truth telling—can be recognized as political when seen against a backdrop of general acquiescence. La Caze’s case studies cross genres, historical eras, and national contexts: the apartheid regime in South Africa, in A Dry White Season; post-Suharto Indonesia, in The Look of Silence; 1980s East Germany, in Barbara; the Chilean military dictatorship, in No; contemporary Iran, in A Separation; and current-day Saudi Arabia, in Wadjda. This book explores the films’ use of image, sound, narrative, and character in dialogue with the work of Simone de Beauvoir, AimÉ Cesaire, Hannah Arendt, Sara Ahmed, and W. E. B. Du Bois to reveal how cinema depicts ordinary people enacting their own philosophies of defiance.

Marguerite La Caze is an associate professor in the School of Historical and Philosophical Inquiry at the University of Queensland. Her previous books include The Analytic Imaginary, Wonder and Generosity: Their Role in Ethics and Politics,and Ethical Restoration after Communal Violence: The Grieving and the Unrepentant.

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