Film and Politics in America

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A01=Brian Neve
abraham
Abraham Polonsky
albert
America America
American radicalism
Author_Brian Neve
Breen Office
Capra's Films
Capra's Work
Capra’s Films
Capra’s Work
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Category=JBCC
Category=JBCT
Category=NH
Category=NHTB
CPUSA
Cy Endfield
dore
Dore Schary
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eq_history
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eq_society-politics
Film Noir
Film Noir Cycle
Girl Friend
Good Life
guild
Herbert Biberman
Hollywood blacklist
HUAC Hearing
John Wexley
leftist screenwriters
maltz
Motion Picture Alliance
Mr Deeds
National Censorship
noir
Perfect Murder
political cinema analysis
polonsky
schary
screen
Screen Writers Guild
Sea Hawk
social filmmaking tradition
studio system history
Tennessee Valley
twentieth century film industry
Wild River
Willie Boy
writers
Young Man

Product details

  • ISBN 9780415026208
  • Weight: 408g
  • Dimensions: 138 x 216mm
  • Publication Date: 12 Nov 1992
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In A Social Cinema: Film-making and Politics in America, Brian Neve presents a study of the social and political nature of American film by concentrating on a generation of writers from the thirties who directed films in Hollywood in the 1940's. He discusses how they negotiated their roles in relation to the studio system, itself undergoing change, and to what extent their experience in the political and theatre movements of thirties New York was to be reflected in their later films.
Focusing in particular on Orson Welles, Elia Kazan, Jules Dassin, Abraham Polonsky, Nicholas Ray, Robert Rossen and Joseph Losey, Neve relates the work of these writers and directors to the broader industrial, bureaucratic, social and political developments of the period 1935-1970. With special emphasis on the post-war decade, bringing together archive and secondary sources, Neve explores a lost tradition of social fimmaking in America.

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