Film and the American Presidency

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1990s Hollywood Films
Alien Property Custodian
American Mutoscope Company
Bial's Music Hall
Bial’s Music Hall
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Charles Musser
Christian B. Long
cinematic portrayals of US presidents
Corporate Ceo
cultural narratives of power
Dana D. Nelson
David Hoogland Noon
Deak Nabers
Diane Rubenstein
Django Unchained
Edison Manufacturing Company
Elizabeth Keckley
Empire State Express
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Executive Office Building
Express Train
FDR
FDR's Presidency
FDR’s Presidency
film
Ford's Film
Ford’s Film
Franklin Delano Roosevelt
Front Porch Campaign
Gray Shirts
Hollywood
Hollywood influence on politics
imaginary
Interstate Commerce Commission
J. D. Connor
Jacqueline O'Connor
Jennifer Fay
Jonathan Auerbach
Josh Glick
Lincoln
Lincoln Image
Lincoln's Commitment
Lincoln’s Commitment
media
media and national identity
Menne
Moving Picture
Nixon
Obama
political leadership imagery
politics
power
President Vanishes
presidential representation in cinema
race and gender in leadership
Reagan
Roosevelt
Scott J. Juengel
Stovepipe Hat
Susan Jeffords
Tom Gunning
Truman
Vice Versa
white house
Young Man

Product details

  • ISBN 9780415834391
  • Weight: 940g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Mar 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The contention of Film and the American Presidency is that over the twentieth century the cinema has been a silent partner in setting the parameters of what we might call the presidential imaginary. This volume surveys the partnership in its longevity, placing stress on especially iconic presidents such as Lincoln and FDR. The contributions to this collection probe the rich interactions between these high institutions of culture and politics—Hollywood and the presidency—and argue that not only did Hollywood acting become an idiom for presidential style, but that Hollywood early on understood its own identity through the presidency’s peculiar mix of national epic and unified protagonist. Additionally, they contend that studios often made their films to sway political outcomes; that the performance of presidential personae has been constrained by the kinds of bodies (for so long, white and male) that have occupied the office, such that presidential embodiment obscures the body politic; and that Hollywood and the presidency may finally be nothing more than two privileged figures of media-age power.

Jeff Menne is Assistant Professor and Program Director of Screen Studies at Oklahoma State University, USA. His essays have appeared in Representations, Cinema Journal, Post Script, and elsewhere.

Christian B. Long is a senior lecturer in film studies at the University of Otago, Aotearoa New Zealand