Film, Architecture and Spatial Imagination

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A01=Renee Tobe
architectural representation in film
Author_Renee Tobe
Bates House
Category=AM
Category=AMA
Category=ATFA
cinematic space
Classical Hollywood Narrative
Die Nibelungen
Dr Mabuse
Dragon's Blood
Dragon’s Blood
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
expressionist
films
german
German Expressionist Films
Heidegger philosophy
Human Suffering
Independent Group
Kiki De Montparnasse
Le Corbusier
Le Corbusier's Ville Contemporaine
Lovell Health House
Malick's Films
Mamoru Oshii
modernist aesthetics
Modernist Noir
phenomenological analysis
Round Window
Sidewalk Ends
spatial theory
Spot Lights
USSR's Sputnik
USSR’s Sputnik
visual semiotics
Yokohama Bay Bridge
Young Man

Product details

  • ISBN 9781138588615
  • Weight: 400g
  • Dimensions: 174 x 246mm
  • Publication Date: 10 Apr 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read architecture and design in film in order to see the many inherent messages. Architecture’s representational capacity contributes to the plausibility or 'reality' possible in film. The book provides an ontological understanding that clarifies and stabilizes the reciprocity of the actual world and a filmic world of illusion and human imagination, thereby shedding light on both film and architecture.

Renée Tobe, University of East London, United Kingdom

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