Film Editing

Regular price €41.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Julie Lambden
Age Group_Uncategorized
Age Group_Uncategorized
audience
audio-visual
aural material
Author_Julie Lambden
automatic-update
Category1=Non-Fiction
Category=APF
Category=APFX
Category=APT
Category=APTX
Category=ATF
Category=ATFX
Category=ATJ
Category=ATJX
classic films
commercials
contemporary films
COP=United Kingdom
creative process
decision-making
Delivery_Delivery within 10-20 working days
Editing
editing strategies
editing styles
editorial decisions
emotional engagement
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
examples
filmmakers
Language_English
montage
moving image techniques
moving pictures
PA=Available
performance
practice
Price_€20 to €50
principles of filmmaking
PS=Active
short films
softlaunch
theory
viewer
visual material

Product details

  • ISBN 9781474254908
  • Weight: 780g
  • Dimensions: 208 x 268mm
  • Publication Date: 30 Dec 2021
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer. Three interrelated aspects, Emotion, Performance and Story, influence this decision-making.

Combining history, practice, study and theory, Film Editing: Emotion, Performance, Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience. With full-color examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice.

Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a whole film. Examples are closely analysed and discussed using frame grabs, graphics and plans. The book opens discussions on our psychological and cognitive behavior, and asks why certain picture and sound configurations can affect us emotionally. Interspersed with chapters on the fundamental tools of editing are studies of three editing strategies. Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world.

Julie Lambden is a Senior Lecturer in Film at Westminster University and an Associate Lecturer at the Drama Centre London, University of the Arts London.

More from this author