Film Festivals

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A-list Festivals
advanced film festival research guide
amer
Amer Ican
Amer Ican Film Festival
archival analysis
Art House Cinema
Busan International Film Festival
cannes
Cannes Film Festival
Category=ATF
Category=JBCT
circuit
circuits
contemporary
Contemporary Film Festival
cultural legitimisation
curatorial practices
De Valck
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eq_bestseller
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eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic research methods
Festival Circuit
Film Festival
Film Festival Circuit
Film Festival Programming
Film Festival Studies
Gay Film Festival
Hubert Bals Fund
ican
international
International Film Festival
International Film Festival Circuit
International Film Festival Rotterdam
LGBT Film Festival
Marijke De Valck
programmers
public sphere theory
Queer Film Festivals
SKADI LOIST
St Iv
studies
Sundance Film Festival
transnational film culture
valck
Venice Film Festival

Product details

  • ISBN 9780415712477
  • Weight: 378g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The last decade has witnessed an explosion of interest in film festivals, with the field growing to a position of prominence within the space of a few short years. Film Festivals: History, Theory, Method, Practice represents a major addition to the literature on this topic, offering an authoritative and comprehensive introduction to the area. With a combination of chapters specifically examining history, theory, method and practice, it offers a clear structure and systematic approach for the study of film festivals.

Offering a collection of essays written by an international range of established scholars, it discusses well-known film festivals in Europe, North America and Asia, but equally devotes attention to the diverse range of smaller and/or specialized events that take place around the globe. It provides essential knowledge on the origin and development of film festivals, discusses the use of theory to study festivals, explores the methods of ethnographic and archival research, and looks closely at the professional practice of programming and film funding. Each section, moreover, is introduced by the editors, and all chapters include useful suggestions for further reading.

This will be an essential textbook for students studying film festivals as part of their film, media and cultural studies courses, as well as a strong research tool for scholars that wish to familiarize themselves with this burgeoning field.

Marijke de Valck is Associate Professor in the Department of Media and Culture Studies at Utrecht University. She is a well-known specialist of film festival studies and author of Film Festivals: From European Geopolitics to Global Cinephilia (2007). She co-founded the Film Festival Research Network and is co-editor of the book series Framing Film Festivals. Brendan Kredell is Assistant Professor of Cinema Studies at Oakland University. His research focuses on media and urban studies, an area in which he has published widely. He received a Fulbright fellowship for his work on culture-led urban redevelopment and the Toronto International Film Festival. Skadi Loist is a lecturer and postdoctoral researcher at the Institute for Media Research of the University of Rostock. She co-founded the Film Festival Research Network and serves as member of the Steering Committee of NECS. Her research interests include film festivals, queer cinema and media industries. She has worked with the Hamburg International Queer Film Festival since 2002.