Film Handbook

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A01=Mark de Valk
A01=Sarah Arnold
Andrei Tarkovsky
Author_Mark de Valk
Author_Sarah Arnold
avant-garde cinema
Bela Lugosi
brian
Category=ATF
Category=JBCT
cinematic theory
Demo Reel
digital cinematography
DOP
DVD Compilation
DVD Extra
Emperor Penguins
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairy Tale
Gangster Film
guerrilla filmmaking
guy
independent film production methods
key
Krzysztof Kieslowski
lighting
Live Action Scene
Live Action Shooting
low
maddin
Main Character
michel
mise-en-scA?ne analysis
Motion Capture
Music Supervisor
noir
palma
Post-classical Period
Postclassical Period
Screen Spectator Relationship
screenwriting techniques
Short Film Format
Spatial Montage
Studio Names
Television Field Production
text
VES Handbook
Vice Versa
Young Man

Product details

  • ISBN 9780415557603
  • Weight: 760g
  • Dimensions: 174 x 246mm
  • Publication Date: 16 Apr 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today’s ‘digital film’ productions. It reflects on how critical analysis’ of film underpins practice and story, and how developing an autonomous ‘vision’ will best aid student creativity.

The Film Handbook offers practical guidance on a range of traditional and independent ‘guerrilla’ film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professionals share advice of their creative and practical experiences shooting both on digital and film forms.

The Film Handbook relates theory to the filmmaking process and includes:

• documentary, narrative and experimental forms, including deliberations on ‘reading the screen’, genre, mise-en-scène, montage, and sound design

• new technologies of film production and independent distribution, digital and multi-film formats utilised for indie filmmakers and professional dramas, sound design and music

• the short film form, theories of transgressive and independent ‘guerrilla’ filmmaking, the avant-garde and experimental as a means of creative expression

• preparing to work in the film industry, development of specialisms as director, producer, cinematographer, editor, and the presentation of creative work.

Dr. Mark de Valk is Senior Lecturer in Film & Television Studies at Southampton Solent University. He specialises in guerrilla/indie-filmmaking processes and continues to produce, direct and write productions in documentary, drama, and experimental formats.

Dr. Sarah Arnold is Lecturer in Film & Digital Media at University College Falmouth and is author of Maternal Horror Film: Melodrama and Motherhood (2013).

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