Film in Contemporary Southeast Asia

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Anne Tereska Ciecko
Benjamin McKay
Category=ATF
Category=GTM
Category=JBCT
Category=JBSL
Category=JHB
Category=JP
Category=NH
Chia Thye Poh
Cinema in Southeast Asia Today
civil activism
Civil Society
Contemporary Asian Cinema
Contemporary Cambodian Society
David Hanan
documentary filmmaking
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnic representation film
Film in South East Asia
Hang Tuah
Heryanto
Hollywood and New Global Cinema
Hong Kong Cinema
Hong Kong Film
Ian Haydn Smith
independent film movements
Indonesian Cinema
Ketuanan Melayu
Land People
Lao People's Democratic Republic
Lao People’s Democratic Republic
Malay Cinema
Marchetti
May Adadol Ingawanij
media activism Southeast Asia
Military Junta
Nation Building
Orang Kita
political documentary analysis
Popular Culture in Indonesia
PTI
Red Lotus
Riri Riza
Rithy Panh
Royston Tan
Sea People
Singapore International Film Festival
Singapore political interventions
Singapore Rebel
social change through film
South Vietnamese
Southeast Asia's film
Southeast Asian cinema
Tan Pin Pin
Thai Cinema
The Cinema of China and South East Asia
Vice Versa
visual culture studies
YingChi Chu
Young Man

Product details

  • ISBN 9780415617635
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Dec 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communities; and the extent to which these interventions are connected to global flows of culture and capital.

The wide range of subjects covered include documentaries as political interventions in Singapore; political film-makers’ collectives in the Philippines, and films about prostitution in Cambodia and patriotism in Malaysia, and the Chinese in Indonesia. The book analyses films from Burma, Laos, Cambodia, Vietnam, Thailand, Malaysia, Singapore, Indonesia and the Philippines, across a broad range of productions – such as mainstream and independent features across genres (for example comedy, patriotic, political, historical genres) alongside documentary, classic and diasporic films.

Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

David C. L. Lim is Senior Lecturer at the Open University Malaysia, where he manages and teaches courses in Literary and Cultural Studies.  Hiroyuki Yamamoto  is Associate Professor at the Center for Integrated Area Studies, Kyoto University, Japan.