A01=George Cvjetnicanin
A01=Richard Kallenberger
audiovisual archiving
Author_George Cvjetnicanin
Author_Richard Kallenberger
Camera Original Negative
Category=ATF
Category=ATJ
Color Correction Computers
Color Picture Monitor
Digital Disk Recorder
digital intermediate workflow
Dolby Stereo
EBU Time Code
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film to digital conversion process
Flying Spot Scanner
Flying Spot Telecines
Frame Rate Conversion
George D. Cvetnicanin
image restoration techniques
Magnetic Film
Mark III
motion picture scanning
Optical Sound Track
Play Back
post production technology
Richard H. Kallenberger
suite
telecine
Telecine Control Room
Telecine Machine Controller
Telecine Room
Telecine Suite
Telecine Transfer
Telecine Transport
Time Code
Time Code Number
transfer
Unitel Video Hollywood
Vertical Interval Time Code
video signal processing
Video Waveform Monitor
Wide Screen Formats
Product details
- ISBN 9781138426030
- Weight: 453g
- Dimensions: 178 x 254mm
- Publication Date: 11 Jul 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
Secure
checkout
Fast Shipping
Easy returns
Film Into Video, Second Edition offers comprehensive, practical information on the complex process of converting motion picture film into video. All of the tools of the trade are explained in clear, simple language, as are the operational, business, and creative sides of film to video transfer. This easy-to use guide provides the reader with the necessary foundation to approach any technological advances in this fast-paced field.Additions to the second edition include: information on the Philips Spirit Data Cine and the new Sony FVS-1000; a new section on the latest in flying spot telecines, including Cintel's C-Reality and Ursa Electrum; an examination of recent changes in color correction computers with da Vinci's 2K and Pandora's Mega-Def systems, and in respect to Philips Spirit DataCine and Cintel's C-Reality, a discussion relating to the area of data transfer and how this has changed the telecine industry.
Stuart Blake Jones has over twenty years of experience as a senior telecine colorist. He is a consultant and instructor in the US and Europe and demonstrates color correction equipment at trade shows. He is also an expert on telecine and is the author of Film into Video, second edition, also published by Focal Press.
