Film, Negation and Freedom

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20th century
A01=Will Kitchen
aesthetics
Arthur Penn
Author_Will Kitchen
Capitalism
Category=ATFA
Category=KCSA
critical theory
Critique
doubt
Early German
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film
indecision
Lindsay Anderson
Mickey One
negative dialectics
O Lucky Man!
pain
Philosophy
Romanticism
spectatorship
stillness
The Missouri Breaks

Product details

  • ISBN 9798765105542
  • Weight: 400g
  • Dimensions: 150 x 226mm
  • Publication Date: 29 May 2025
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
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Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics.

Synthesising a variety of discursive fields and traditions — including Early German Romanticism, Frankfurt School critical theory and the aesthetic philosophy of Jacques Rancière — Film, Negation and Freedom outlines a radical new approach to film by re-examining the work of Arthur Penn and Lindsay Anderson. A distinction between Light and Dark Romanticism is introduced as a means of interpreting cinema's relationship with capitalism, as well as dualistic concepts such as stillness and motion, passivity and activity, pain and pleasure. Film, Negation and Freedom revitalises our understanding of modern audio-visual media, as well as the aesthetic, philosophical and political conditions of Romantic subjectivity, artistic practice and spectatorship.

Will Kitchen was Teaching Fellow in Film Studies at the University of Southampton, UK. He is the author of Romanticism and Film: Franz Liszt and Audio-Visual Explanation (2020), also published by Bloomsbury Academic.

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