Film Noir

Regular price €241.80
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Andrew Spicer
Abraham Polonsky
Author_Andrew Spicer
Blue Gardenia
Body Heat
British crime cinema
Category=ATFA
cinematic modernism
Classical Noir
Crime Thrillers
Cy Endfield
dassin
double
Double Indemnity
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Femme Fatale
Film Noir
French Poetic Realism
Gangster Films
gender representation cinema
German Expressionism influence
Good Bad Girl
Home Town
HUAC
HUAC Hearing
indemnity
Independent Woman
James Fox
John Trevelyan
jules
key
lighting
Long Shots
low
Noir Cycle
noir genre historical evolution
Peter Lorre
phantom
postwar American culture
Robert Siodmak
Rogue Cop
scarlet
Scarlet Street
street
Term Film Noir
visual narrative analysis

Product details

  • ISBN 9781138174573
  • Weight: 521g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties.

An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society.

Five chapters are devoted to ‘classic’ film noir (1940-59):

  • chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes
  • chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang

Three chapters investigate ‘neo-noir’ and British film noir:

  • chapters trace the complex evolution of ‘neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento
  • the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier

Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

More from this author