Film Noir and the Arts of Lighting

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A01=Patrick Keating
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Author_Patrick Keating
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black and white
Category1=Non-Fiction
Category=AC
Category=AGA
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Category=APFX
Category=ATFA
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Category=JBCC1
Category=JFCA
cinematography
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eq_art-fashion-photography
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eq_isMigrated=2
eq_nobargain
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film
film noir
film studies
film technique
Language_English
lighting
media
movies
PA=Available
Price_€20 to €50
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softlaunch
technique

Product details

  • ISBN 9781978810259
  • Weight: 454g
  • Dimensions: 156 x 235mm
  • Publication Date: 12 Jul 2024
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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More than any other set of films from the classical era, the Hollywood film noir is known for its lighting: the cast shadows, the blinking street signs, the eyes sparkling in the darkness. Each effect is rich in symbolism, evoking a world of danger and doppelgangers. But what happens if we set aside the symbolism? This book offers a new account of film noir lighting, grounded in a larger theory of Hollywood cinematography as emotionally engaging storytelling. Above all, noir lighting is dynamic, switching from darkness to brightness and back again as characters change, locations shift, and fates unfold. Richly illustrated, Film Noir and the Arts of Lighting features in-depth analyses of eleven classic movies: The Asphalt Jungle, Sorry, Wrong NumberOdds against TomorrowThe Letter, I Wake Up Screaming, Phantom Lady, Strangers on a Train, Sweet Smell of Success, Gaslight, Secret beyond the Door, and Touch of Evil.
PATRICK KEATING is a professor in the Department of Communication at Trinity University in San Antonio, Texas. He is the author of The Dynamic Frame: Camera Movement in Classical Hollywood and the editor of Cinematography (Rutgers University Press).
 

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